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Note: This is the 2010–2011 edition of the eCalendar. Update the year in your browser's URL bar for the most recent version of this page, or click here to jump to the newest eCalendar.
Note: This is the 2010–2011 edition of the eCalendar. Update the year in your browser's URL bar for the most recent version of this page, or click here to jump to the newest eCalendar.
The goal of this minor is to provide instruction in practical and creative applications of technology for musical purposes. This program will help prepare students for production-oriented jobs in the creative arts.
This program is open to students from any discipline and has no prerequisites other than familiarity with computers. Application forms will be available from the Department of Music Research (Room A726A) in the Schulich School of Music from February 1 and must be completed and returned to the Department of Music Research by May 15. Late applications will not be accepted and no students will be admitted to the Minor in January. Successful applicants will be notified by June 1. Registration will be limited to available lab space.
Students will be selected on the basis of their previous background or experience in music technology and/or sound recording, their computer programming skills, their expressed interest in the program, and their Cumulative Grade Point Average.
Advising for the Minor is availlable from the Area Chair for the Music Technology Program, 555 Sherbrooke St. W., Room 506. Further information on this program is available on the Music Technology website at: .
12 credits, select all of the following:
Music Technology : A theoretical and practical introduction to selected areas of music technology. Topics include digital audio and sampling theory, MIDI and sequencing, audio editing and mixing, elementary sound recording, score editing software and current areas of research interest.
Terms: Fall 2010
Instructors: Saitis, Charalampos; Zadel, Mark (Fall)
Music Technology : Basic processes by which the brain transforms sound waves into musical events, dimensions, systems and structures and the processes by which musicians imagine new musical sounds and structures and plan movements that produce music on instruments.
Terms: Winter 2011
Instructors: McAdams, Stephen (Winter)
Music Technology : Techniques for producing and manipulating music and sound for new media applications. Synthesis techniques including FM, granular and physical modeling. Audio effects including delay, reverberation, dynamics processing, and filtering. Audio compression, HCI and MIR concepts.
Terms: Winter 2011
Instructors: Chon, Song Hui (Winter)
Physics : An introduction to the physics of music. Properties of sound and their perception as pitch, loudness, and timbre. Dissonance, consonance, and musical intervals and tuning. Physics of sound propagation and reflection. Resonance. Acoustic properties of pipes, strings, bars, and membranes, and sound production in wind, string, and percussion instruments. The human voice. Room reverberation and acoustics. Directional characteristics of sound sources.
Terms: Fall 2010
Instructors: Vachon, Brigitte (Fall)
6 credits selected from:
Note: Students select MUSR 300D1 and MUSR 300D2 together.
Music History and Literature : Investigation of the repertoire and techniques of electroacoustic music and the historical developments at important centres for research and creative activities. The roles of electronic and computer technologies in commercial and concert music are examined.
Terms: Fall 2010
Instructors: Lanza, Alcides (Fall)
Music Technology : Technologies and resources of the Internet (access tools, data formats and media) and Web authoring (HTML) for musicians; locating, retrieving and working with information; putting information online; tools for music research, music skills development, technology-enhanced learning, music productivity, and promotion of music and musicians. Evaluation of Internet music resources.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Music Technology : Advanced audio processing with general considerations of aesthetics in sonic art. Introduction to theory and practice of digital video processing using Jitter.
Terms: Winter 2011
Instructors: Lembke, Sven-Amin (Winter)
Sound Recording : The theory and practice of music recording including a study of recording environments, equipment and studio techniques. The analysis of music scores and recordings with respect to the requirements and possibilities of the recording studio. Studio work will include recording sessions, recording of live concerts, editing, mixing and music p.a.
Terms: Fall 2010
Instructors: Squire, Nicholas (Fall)
Sound Recording : See MUSR 300D1 for description.
Terms: Winter 2011
Instructors: Squire, Nicholas (Winter)